grixmagazine

“FOR THE BASTARDS” IS MANNIE TSEAYO’S DECLARATION FOR THE OVERLOOKED

OTNICKA AND PAXTON CONFRONT A FAILINGRELATIONSHIP ON “NO MORE RUNNING”

DREMO AND TENI TURN LIFE LESSONS INTO CONFIDENCE ON “I KNOW NOW”

THIRTY YEARS ON, ODIO MIMONET ANNOUNCES A NEW BRAND IDENTITY DRAWN FROM NIGERIAN ARCHITECTURE, BUILT FOR THE WORLD

LASMID CHANNELS PASSION AND COMMITMENT ON “LIQUOR STORE”

PATOMANT TURNS DESIRE INTO A PROMISE ON “DLM (DON’T LEAVE ME)”

KHALEEDTHEFIRST CAPTURES THE DRIVE FOR SUCCESS ON “BANK ALERT/HUSTLE”

HOOD BOYZ CELEBRATE THE GRIND AND ITS REWARDS ON “PEDESHE”

KENYAN BOY MASAUTI CAPTURES THE RUSH OF LOVE IN “ANGELINA”

“ANYBODY” SEES KIDD CARDER REJECT VALIDATION AND TRUST THE PROCESS